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Silke Eberhard

saxophonist & composer // berlin

Concerts

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Her mastery of both
instruments is impressive, but so is her take on music: it is fun, it
is light-footed, rhythmically and structurally complex, emotional and technically superb.

Freejazz Stef

Silke Eberhard is a force in contemporary jazz. Her music is both transparent and biting, blending technical mastery with a passionate, confrontational style.

Eberhard’s compositions are highly compressed and complex, delivered with a dry humor and incisive commentary through her instruments.

Deutscher Jazzpreis, 2023

for Potsa Lotsa XL “large ensemble of the year”

Jazzpreis Berlin, 2020

Music and Recordings

Projects

Upcoming

Potsa Lotsa plays André Hodeir

Potsa Lotsa XL

Date: December 15, 2024, 4:00pm

Venue: Industriesalon Schöneweide

Tickets

Potsa Lotsa plays André Hodeir

Tekk Trio : Marburg

Jörg Schippa, Horst Nonnenmacher, Silke Eberhard

Date: December 17, 2024, 8:00pm

Venue: Marburg Cavete

Tickets at the door

Tekk Trio : Marburg
A structured improvisation trio

Hannes Zerbe Jazz Orchester @ Rosa-Luxemburg Konferenz

Date: January 11, 2025, 7:00pm

Venue: tba

Tickets at the door

Hannes Zerbe Jazz Orchester @ Rosa-Luxemburg Konferenz

Hannes Zerbe "Das Floß der Medusa"

Rolf Becker - Actor, Jürgen Kupke - cl, Silke Eberhard - as, Hannes Zerbe - p, Christian Marien - dr

Date: January 16, 2025, 8:00pm

Venue: Wabe Berlin

Tickets at the door

Hannes Zerbe
"The audience was treated to nothing less than revolutionary art: In the fusion of jazz and new music with which the composer Hannes Zerbe, who accompanied and conducted his musicians Jürgen Kupke (clarinet), Silke Eberhard (alto saxophone) and Christian Marien (drums) on the grand piano, resounded the groans, The groans, sighs and pleas of the ‘far too many’ abandoned to their fate on a raft by the ‘feathered hats’ and epaulet bearers after the shipwreck of the frigate Medusa in 1816 resounded and swelled into a cry for the revolutionary act that would put an end to injustice. Rolf Becker's recitations from the libretto were particularly impressive due to his reduction and condensation of the text material – especially when his performance turned into a play of the actors' roles.." Melodie & Rhythmus, Susann Witt-Stahl
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