Potsa Lotsa XL – Amoeba´s Dance (Vinyl – expected on July 18)
€25,00
Value added tax is not collected, as small businesses according to §19 (1) UStG. plus Shipping Costs
Jürgen Kupke — Clarinet, Percussion
Patrick Braun — Tenor Saxophone, Clarinet
Nikolaus Neuser — Trumpet, Percussion
Gerhard Gschlößl — Trombone
Johannes Fink — Cello
Taiko Saito — Vibraphone, Percussion
Antonis Anissegos — Piano
Igor Spallati — Bass
Kay Lübke — Drums
Mixed & Mastered by Martin Ruch @ Control Room Berlin
Artwork & graphic design by Jana Weiz
Cutting Engineer: Sidney Claire Meyer @ Emil Berliner Studios
Photos by Dovile Sermokas
Produced by Silke Eberhard
wird veröffentlicht am 30. Mai 2025
Which intelligible multicellular organism could ever boast of having seen an amoeba with its own eyes? Amoebas are single-celled shapeshifters that, to quote Irish author Flann O’Brien, are somewhat smaller than invisible. We know they exist. Yet, even if we cannot see them, at least we can now listen to them dance. With the first notes, a curtain opens, and one is inevitably drawn into the event. The microscopic proximity of the subject simultaneously evokes a surprising intimacy in the sound.
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Description
Jürgen Kupke — Clarinet, Percussion
Patrick Braun — Tenor Saxophone, Clarinet
Nikolaus Neuser — Trumpet, Percussion
Gerhard Gschlößl — Trombone
Johannes Fink — Cello
Taiko Saito — Vibraphone, Percussion
Antonis Anissegos — Piano
Igor Spallati — Bass
Kay Lübke — Drums
Mixed & Mastered by Martin Ruch @ Control Room Berlin
Artwork & graphic design by Jana Weiz
Cutting Engineer: Sidney Claire Meyer @ Emil Berliner Studios
Photos by Dovile Sermokas
Produced by Silke Eberhard
wird veröffentlicht am 30. Mai 2025
Which intelligible multicellular organism could ever boast of having seen an amoeba with its own eyes? Amoebas are single-celled shapeshifters that, to quote Irish author Flann O’Brien, are somewhat smaller than invisible. We know they exist. Yet, even if we cannot see them, at least we can now listen to them dance. With the first notes, a curtain opens, and one is inevitably drawn into the event. The microscopic proximity of the subject simultaneously evokes a surprising intimacy in the sound.
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